- ABOUT SPO
- THE ORCHESTRA
Håkan Hardenberger is one of the world’s leading soloists, consistently recognised for his phenomenal performances and tireless innovation. Alongside his performances of the classical repertory, he is also renowned as a pioneer of significant and virtuosic new trumpet works.
Hardenberger performs with the world’s foremost orchestras including the Boston Symphony Orchestra, Gewandhausorchester Leipzig, Royal Concertgebouw Orchestra, Wiener Philharmoniker, Berliner Philharmoniker and London Symphony Orchestra. Conductors he collaborates with include Daniel Harding, Ingo Metzmacher, Andris Nelsons, Sakari Oramo, Jukka-Pekka Saraste and John Storgårds.
The works written for and championed by Hardenberger stand as key highlights in the repertory and include those by Sir Harrison Birtwistle, Brett Dean, HK Gruber, Hans Werner Henze, Betsy Jolas, Arvo Pärt, Toru Takemitsu, Mark-Anthony Turnage and Rolf Wallin.
In summer 2019 Hardenberger returns to the Tanglewood Music Festival with Boston Symphony Orchestra and Andris Nelsons and to the BBC Proms with BBC National Orchestra of Wales and Markus Stenz for the UK premiere of Tobias Broström’s double concerto for two trumpets with Jeroen Berwaerts. This is followed by a concert at the Musikfest Berlin with Olga Neuwirth’s concerto “Miramondo Multiplo” with BBC Symphony Orchestra and Sakari Oramo. With the latter he can also be heard at the Barbican in November, championing Betsy Jolas’ trumpet concerto “Onze Lieder”. Continuing his residency with the Gewandhausorchester Leipzig, he performs Mieczysław Weinberg’s trumpet concerto and gives HK Gruber’s concerto “Aerial” its 89thperformance since its premiere. Further highlights include his performance of the Dutch premiere of Robin Holloway’s new concerto with Het Residentie Orkest and Nicholas Collon, his return to Royal Concertgebouw Orchestra with Andris Nelsons, Radio-Sinfonieorchester Berlin with Alain Altinoglu, Bamberger Symphoniker with John Storgårds as well as Swedish Radio Symphony Orchestra and Orchestre Philharmonique de Luxembourg with Daniel Harding. Hardenberger embarks on his residency with the Seoul Philharmonic in 2020, and appears in a podium swap with HK Gruber with New Zealand Symphony Orchestra. He also returns to the Melbourne Symphony Orchestra in concert as well as curating their Metropolis Festival for contemporary music.
Conducting is an integral part of Hardenberger’s music making. In 2019/20 he conducts the Gewandhausorchester Leipzig, Seoul Philharmonic, Malmo Symphony Orchestra, Swedish Chamber Orchestra and Tasmanian Symphony Orchestra. Duo partnerships include pianist Roland Pöntinen and percussionist Colin Currie, with whom he released a duo recording featuring duo works by composers such as Brett Dean and André Jolivet.
To add to his prolific discography on the Philips, EMI, Deutsche Grammophon and BIS labels, Hardenberger anticipates the release of a concerto recording including Sally Beamish, Betsy Jolas and Olga Neuwirth music (BIS) as well as a recording of Peter Eötvös new version of his trumpet concerto “Jet Stream”.
From 2016 to 2018 Hardenberger was the Artistic Director of the Malmö Chamber Music Festival. Hardenberger was born in Malmö, Sweden. He began studying the trumpet at the age of eight with Bo Nilsson in Malmö and continued his studies at the Paris Conservatoire, with Pierre Thibaud, and in Los Angeles with Thomas Stevens. He is a professor at the Malmö Conservatoire.
Christian Tetzlaff has been one of the most sought-after violinists and most exciting musicians on the classical music scene for many years. “The greatest performance of the work I’ve ever heard,” wrote Tim Ashley (The Guardian, May 2015) of his interpretation of the Beethoven Violin Concerto with the London Symphony Orchestra and conductor Daniel Harding. In the 2018/2019 season he will be the Artist in Residence of the Seoul Philharmonic Orchestra and the Dresdner Philharmonie at the same time.
Highlights of the 2018/2019 season include concerts in the USA with the Boston Symphony Orchestra under Thomas Adès at the Tanglewood Festival, with The Cleveland Orchestra and the Detroit Symphony Orchestra as well as an extensive tour with the San Francisco Symphony under Michael Tilson Thomas. He will also go on tour to Vietnam with the NHK Symphony Orchestra and in Europe he will perform with orchestras such as the Bergen and Helsinki Philharmonic Orchestras, the Orquesta Nacional de España, the London Symphony Orchestra, the Deutsches Symphonie-Orchester Berlin, the Münchner Philharmoniker and the Rundfunk-Sinfonieorchester Berlin with conductors including Barbara Hannigan, Susanna Mälkki, Vladimir Jurowski, Robin Ticciati and John Storgårds.
Born in Hamburg in 1966 and now living in Berlin with his family, there are three things that make this musician unique, aside from his astounding skill on the violin. He interprets the musical manuscript in a literal fashion, perceives music as a language, and views great works as narratives which reflect existential experiences. As obvious as it may sound, he brings an unusual approach in his daily concert routine.
Christian Tetzlaff founded his own string quartet in 1994, and until now chamber music is still as important to him as his work as a soloist with and without the orchestra. In the 2018/19 season they will perform concerts in the Gewandhaus Leipzig and the Pierre-Boulez-Saal Berlin. The Tetzlaff Quartet received the Diapason d’or in 2015, and his trio with sister Tanja Tetzlaff and pianist Lars Vogt was nominated for a Grammy award.
Christian Tetzlaff has also received numerous awards for his CD recordings, including the “Diapason d’or” in July 2018, the Midem Classical Award in 2017 und the “Preis Der Deutschen Schallplattenkritik” in 2015. Of special significance is his solo recording of Bach’s Sonatas and Partitas, which he has recorded for the third time and was released in September 2017 on the ONDINE label. The Strad magazine praised this recording as “an attentive and lively answer to the beauty of Bach’s solos”.
Christian Tetzlaff plays a violin made by the German violin maker Peter Greiner and teaches regularly at the Kronberg Academy.
Ian Bostridge’s international recital career takes him to the foremost concert halls of Europe, Japan and North America, with regular appearances at the Salzburg, Edinburgh, Munich, Vienna, Schwarzenberg and Aldeburgh festivals. He has had residencies at the Wiener Konzerthaus, Carnegie Hall New York, Het Concertgebouw Amsterdam, Philharmonie Luxembourg, London’s Barbican Centre and Wigmore Hall.
In opera, he has performed the roles Lysander (Britten A Midsummer Night’s Dream) for Opera Australia and at the Edinburgh Festival, Tamino (Mozart Die Zauberflöte) and Jupiter (Handel Semele) for English National Opera and Peter Quint (Britten The Turn of the Screw), Don Ottavio (Mozart Don Giovanni) and Caliban (Adès The Tempest) for the Royal Opera House, Covent Garden. For the Bayerische Staatsoper he has sung Nerone (Monteverdi L’Incoronazione di Poppea), Tom Rakewell (Stravinsky The Rake’s Progress) and Male Chorus (Britten The Rape of Lucretia), for the Wiener Staatsoper he has sung Don Ottavio and for the Teatro alla Scala Milan he has sung Peter Quint. He has sung Aschenbach (Britten Death in Venice) for English National Opera, La Monnaie, Brussels and in Luxembourg.
Highlights of the 2017/18 season include Berlioz Les nuits d’été with the Seattle Symphony and Ludovic Morlot, recital tours to both the East and West coasts of America, the title role in Handel Jeptha at the Opéra national de Paris, a residency with the Seoul Philharmonic Orchestra and Britten’s War Requiem with the Staatskapelle Berlin and Antonio Pappano.
His many recordings have won all the major international record prizes and been nominated for fifteen Grammys. He was awarded a CBE in the 2004 New Year’s Honours. In 2016 he was awarded the The Pol Roger Duff Cooper Prize for non-fiction writing for his latest book, Schubert’s Winter Journey: Anatomy of an Obsession.