컨텐츠
공연일정
SUBSCRIPTION
ORCHESTRA
MANFRED HONECK CONDUCTS TCHAIKOVSKY'S PATHÉTIQUE ②
요약정보
- PLACE
- Concert Hall, Seoul Arts Center
- SCHEDULE
- Fri. 15 September 2023, 20:00
- PERFORMANCE TIME
- About 2 hours 0 minutes
- CONDUCTOR
-
Manfred Honeck
- collaboration
-
-
Sunhae Im, Soprano
-
Sunhae Im, Soprano
- PROGRAM
-
Dvořák, 'Rusalka Fantasy' Orchestral Suite (arr. by Manfred Honeck & Tomáš Ille)
Górecki, Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’: 2. Lento e largo—Tranquillissimo more
- PRICE
- R 120,000 S 90,000 A 60,000 B 30,000 C 10,000
- ※ Please make sure that your mobile phone is switched off.
- ※ Please do not applaud between the movements.
MANFRED HONECK CONDUCTS TCHAIKOVSKY'S PATHÉTIQUE ②
Friday 15th September, 2023 8PM Concert Hall, Seoul Arts Center
Manfred Honeck, conductor
Sunhae Im, soprano
PROGRAM
Dvořák, 'Rusalka Fantasy' Orchestral Suite (arr. by Manfred Honeck & Tomáš Ille)
Górecki, Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’: 2. Lento e largo—Tranquillissimo
R. Strauss, 4 Lieder, Op. 27: 4. Morgen!
Mozart, Exsultate, jubilate, K. 165
Allegro. Exsultate, jubilate
Recitative: Fulget amica dies
Tu virginum corona
Alleluja. Allegro
---------------- intermission 15mins ----------------------
Tchaikovsky, Symphony No. 6 in B minor Op. 74 ‘Pathétique’
Adagio ― Allegro non troppo
Allegro con grazia
Allegro molto vivace
Adagio lamentoso
Total duration around 120mins(incl. intermission)
Total duration around 120mins(incl. intermission)
“Pathétique” means “full of feeling”. No surprises there: Tchaikovsky was a man who lived by his emotions, and all his hopes, his terrors and his passionate love of life went into his heartbreaking and gloriously tuneful final symphony. It takes a supremely committed conductor to do it justice, and our distinguished guest Manfred Honeck certainly won’t stint on that front. First, though, the soprano Sunhae Im opens a box of delights: a selection of songs and arias by Mozart, Dvořák, Górecki and Strauss, each carefully chosen to display her “splendidly bright” (The New York Times) voice at its most magical.
