컨텐츠
공연일정
SUBSCRIPTION
ORCHESTRA
Debussy and Ravel ①
요약정보
- PLACE
- Concert Hall, Seoul Arts Center
- SCHEDULE
- Thu. 15 May 2025, 20:00
- PERFORMANCE TIME
- About 2 hours 0 minutes
- CONDUCTOR
-
Hugh Wolff
- collaboration
-
-
Alena Baeva, Violin
-
Alena Baeva, Violin
- PROGRAM
-
Qigang Chen, The Five Elements
Shostakovich, Violin Concerto No. 1 in A minor, Op. 77 more
- PRICE
- R 100,000 S 80,000 A 50,000 B 30,000 C 10,000
- ※ Please make sure that your mobile phone is switched off.
- ※ Please do not applaud between the movements.
Debussy and Ravel ①
Thursday, 15th May, 2025 8PM Concert Hall, Seoul Arts Center
Thursday, 15th May, 2025 8PM Concert Hall, Seoul Arts Center
Hugh Wolff, conductor
Alena Baeva, violin
Program
Qigang Chen, The Five Elements
Water - Wood - Fire - Earth - Metal
Shostakovich, Violin Concerto No. 1 in A minor, Op. 77
Nocturne: Moderato
Water - Wood - Fire - Earth - Metal
Shostakovich, Violin Concerto No. 1 in A minor, Op. 77
Nocturne: Moderato
Scherzo: Allegro
Passacaglia: Andante – Cadenza
Burlesque: Allegro con brio – Presto
------------ intermission 15 mins ------------
------------ intermission 15 mins ------------
Ravel, Valses nobles et sentimentales
Debussy, La mer, trois esquisses symphoniques pour orchestre, L. 109
Debussy, La mer, trois esquisses symphoniques pour orchestre, L. 109
De l’aube à midi sur la mer
Jeux de vagues
Dialogue du vent et de la mer
Total duration around 110 mins(incl. intermission)
*Programs and performers are subject to change.
“I have slandered the sea!” declared Claude Debussy after composing La Mer - convinced that his notes could never do justice to the full majesty of the ocean. But music-lovers have disagreed, and today, under guest conductor Hugh Wolff, Debussy’s luminous musical seascape crowns a concert charged with fantasy and emotion. Ravel’s luscious waltzes evoke a more elegant age. But Shostakovich’s First Violin Concerto tells a much darker tale, and it has few more powerful champions than Alena Baeva, the superb Luxembourg violinist whose playing has been praised for its “searing intensity and purity of tone”. A debut to cherish.
Richard Bratby
