컨텐츠
공연일정
공연일정
공연상세
SUBSCRIPTION/ORCHESTRA
SUBSCRIPTION/ORCHESTRA
MANFRED HONECK CONDUCTS TCHAIKOVSKY'S PATHÉTIQUE ①
- SCHEDULE
- Thu. 14 September 2023, 20:00
- PLACE
- LOTTE Concert Hall
- CONDUCTOR
-
Manfred Honeck
-
SOLOIST
-
Sunhae Im, Soprano
- PROGRAM
-
Dvořák, 'Rusalka Fantasy' Orchestral Suite (arr. by Manfred Honeck & Tomáš Ille)
-
Górecki, Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’: 2. Lento e largo—Tranquillissimo
more
- PRICE
- R 120,000 S 90,000 A 60,000 B 30,000 C 10,000
- SPONSOR
-
※ Please make sure that your mobile phone is switched off.
※ Please do not applaud between the movements.
※ Please do not applaud between the movements.
MANFRED HONECK CONDUCTS TCHAIKOVSKY'S PATHÉTIQUE ①
Thursday 14th September, 2023 8PM LOTTE Concert Hall
Manfred Honeck, conductor
Sunhae Im, soprano
PROGRAM
Dvořák, 'Rusalka Fantasy' Orchestral Suite (arr. by Manfred Honeck & Tomáš Ille)
Górecki, Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’: 2. Lento e largo—Tranquillissimo
R. Strauss, 4 Lieder, Op. 27: 4. Morgen!
Mozart, Exsultate, jubilate, K. 165
Allegro. Exsultate, jubilate
Recitative: Fulget amica dies
Tu virginum corona
Alleluja. Allegro
------------------ Intermission 15mins ----------------
------------------ Intermission 15mins ----------------
Tchaikovsky, Symphony No. 6 in B minor Op. 74 ‘Pathétique’
Total duration approximately 120mins(incl. intermission)
Adagio ― Allegro non troppo
Allegro con grazia
Allegro molto vivace
Adagio lamentoso
Total duration approximately 120mins(incl. intermission)
“Pathétique” means “full of feeling”. No surprises there: Tchaikovsky was a man who lived by his emotions, and all his hopes, his terrors and his passionate love of life went into his heartbreaking and gloriously tuneful final symphony. It takes a supremely committed conductor to do it justice, and our distinguished guest Manfred Honeck certainly won’t stint on that front. First, though, the soprano Sunhae Im opens a box of delights: a selection of songs and arias by Mozart, Dvořák, Górecki and Strauss, each carefully chosen to display her “splendidly bright” (The New York Times) voice at its most magical.