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ARTISTS
Kirill Karabits
Conductor
From the 2009/10 season, Kirill Karabits will become Principal Conductor of Bournemouth Symphony Orchestra. He will conduct three weeks with the orchestra in 2008/9, and each programme will be broadcast on BBC Radio 3. Karabits has previously held the position of Principal Guest Conductor of Strasbourg Philharmonic, appearing with them throughout the season both at home and on tour. From 2002 ? 2005 he served as Associate Conductor of the Orchestre Philharmonique de Radio France prior to which he held the post of Assistant Conductor of the Budapest Festival Orchestra working closely with Ivan Fischer.
Highlights of the 2008/9 season include debuts with Orchestra Sinfonica Nazionale della RAI, Seoul Philharmonic and SWR-Sinfonieorchester Baden-Baden/Freiburg (with whom he will conduct the opening concert of the Bodensee Festival), as well as re-invitations to Luzerner Sinfonie Orchester and Orchestre National Bordeaux Aquitaine. Following the success of his recent London debut with the Philharmonia he has been invited to return to conduct the orchestra in May 2010. The 2009/10 season and beyond will also see him return to the Orchestre National de Lille, Luxembourg Philharmonic and debut with Basel and Iceland symphonies and the Netherlands Radio Philharmonic. He will make his North American debut in March 2009 with Houston Symphony, and this will be followed by appearances at the Grant Park and Aspen Festivals in the summer, and concerts with the Minnesota Orchestra in April 2010.
In addition to his orchestral engagements, Kirill Karabits is an established opera conductor. Last season saw his debuts with Geneva Opera in Janacek’s The Adventures of Mr Broucek (with Orchestre de la Suisse Romande), and with Glyndebourne Festival Opera where he conducted performances of Eugene Onegin with the London Philharmonic. This season, he will return to Opera National du Rhin in the autumn to conduct Verdi’s Ballo in Maschera, and is scheduled to conduct a production of Tchaikovsky’s Pique Dame in January 2009 with Luxembourg Philharmonic. He recently conducted a production of Zemlinsky’s Eine Florentinische Tragodie with Opera National de Lorraine and will return there in summer 2009 for Idomeneo. Further ahead he will make his debut with Opera de Lyon with Shostakovich's Moskva, Cheremushki in December 2009.
As part of his ongoing Doctoral studies in Vienna Kirill Karabits has done a considerable amount of research into hitherto unperformed or forgotten works that make up part of the recently rediscovered archive of Berliner Singakademie. This included his transcription ? and popular premiere in Kiev ? of C.P.E. Bach's ‘Johannes Passion’, written in Hamburg in 1784 and previously considered lost. His research has also led to the modern premiere of Telemann's completely unknown (and probably earliest existing opera) Pastorelle en Musique. First performed at the Gmunden Festival with the baroque ensemble Capella Leopoldina, a repeat performance and live CD recording also took place at the Musikverein in Vienna in May 2004.
Son of a noted Ukrainian composer, Kirill Karabits studied conducting and composition at the Lysenko Music School in Kiev before continuing his studies at the National Tchaikovsky Music Academy in Kiev with Roman Kofman. In 1995 he decided to further his studies at the Wiener Musikhochschule (studying there for five years and gaining a diploma in orchestral conducting), and also briefly at the International Bach Academy in Stuttgart, studying under Helmut Rilling and Peter Gulke.
Highlights of the 2008/9 season include debuts with Orchestra Sinfonica Nazionale della RAI, Seoul Philharmonic and SWR-Sinfonieorchester Baden-Baden/Freiburg (with whom he will conduct the opening concert of the Bodensee Festival), as well as re-invitations to Luzerner Sinfonie Orchester and Orchestre National Bordeaux Aquitaine. Following the success of his recent London debut with the Philharmonia he has been invited to return to conduct the orchestra in May 2010. The 2009/10 season and beyond will also see him return to the Orchestre National de Lille, Luxembourg Philharmonic and debut with Basel and Iceland symphonies and the Netherlands Radio Philharmonic. He will make his North American debut in March 2009 with Houston Symphony, and this will be followed by appearances at the Grant Park and Aspen Festivals in the summer, and concerts with the Minnesota Orchestra in April 2010.
In addition to his orchestral engagements, Kirill Karabits is an established opera conductor. Last season saw his debuts with Geneva Opera in Janacek’s The Adventures of Mr Broucek (with Orchestre de la Suisse Romande), and with Glyndebourne Festival Opera where he conducted performances of Eugene Onegin with the London Philharmonic. This season, he will return to Opera National du Rhin in the autumn to conduct Verdi’s Ballo in Maschera, and is scheduled to conduct a production of Tchaikovsky’s Pique Dame in January 2009 with Luxembourg Philharmonic. He recently conducted a production of Zemlinsky’s Eine Florentinische Tragodie with Opera National de Lorraine and will return there in summer 2009 for Idomeneo. Further ahead he will make his debut with Opera de Lyon with Shostakovich's Moskva, Cheremushki in December 2009.
As part of his ongoing Doctoral studies in Vienna Kirill Karabits has done a considerable amount of research into hitherto unperformed or forgotten works that make up part of the recently rediscovered archive of Berliner Singakademie. This included his transcription ? and popular premiere in Kiev ? of C.P.E. Bach's ‘Johannes Passion’, written in Hamburg in 1784 and previously considered lost. His research has also led to the modern premiere of Telemann's completely unknown (and probably earliest existing opera) Pastorelle en Musique. First performed at the Gmunden Festival with the baroque ensemble Capella Leopoldina, a repeat performance and live CD recording also took place at the Musikverein in Vienna in May 2004.
Son of a noted Ukrainian composer, Kirill Karabits studied conducting and composition at the Lysenko Music School in Kiev before continuing his studies at the National Tchaikovsky Music Academy in Kiev with Roman Kofman. In 1995 he decided to further his studies at the Wiener Musikhochschule (studying there for five years and gaining a diploma in orchestral conducting), and also briefly at the International Bach Academy in Stuttgart, studying under Helmut Rilling and Peter Gulke.