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SUBSCRIPTION/ORCHESTRA
SUBSCRIPTION/ORCHESTRA
JIYOON LEE plays MOZART's G MAJOR CONCERTO
- SCHEDULE
- 20201101 Sunday 17:00
- PLACE
- LOTTE Concert Hall
- CONDUCTOR
-
Osmo Vänskä
-
SOLOIST
-
Jiyoon Lee, Violin
- PROGRAM
-
, The Hunter's Funeral
-
Mozart, Violin Concerto No. 3 in G major, K. 216
- PRICE
- R 70,000 S 50,000 A 30,000 B 20,000 C 10,000
- SPONSOR
-
Concert ends
※ Please make sure that your mobile phone is switched off.
※ Please do not applaud between the movements.
※ Please do not applaud between the movements.
JIYOON LEE plays MOZART's G MAJOR CONCERTO
Sun Nov 1st,, 2020 5PM | LOTTE Concert Hall
Osmo Vänskä, conductor
Jiyoon Lee, violin
Program
Donghoon Shin, The Hunter's Funeral for twelve players *Asian Premiere
Mozart, Violin Concerto No. 3 in G major, K.216
---------- intermission 15 mins --------------
Mendelssohn, Symphony No. 3 in A minor Op. 56, Scottish
Total Duration 90 mins(incl. intermission)
Sponsored by Hana Financial Group
Donghoon Shin(1983-), The Hunter’s Funeral for twelve players(2017) *Asian Premiere
Musical composition can have drastically disparate layers of emotional expression, and a funeral march is no exception as the slow movement from Mahler’s First Symphony is the epitome of this paradox. The renowned Mahler scholar Constantin Floros maintains that The Hunter’s Funeral, a woodprint by Moritz von Schwind, was Mahler’s inspiration for this unique movement. Shin’s namesake composition The Hunter’s Funeral also found its inspiration from von Schwind’s famous woodprint.
Wolfgang Amadeus Mozart(1756-1791), Violin Concerto No. 3 in G major, K. 216(1775)
Mozart was famous as a keyboard player, but he was also proficient in violin and viola, and especially in his Salzburg days (1773-1776) frequented stages as a concertmaster and violin soloist. His five violin concertos and four fragment movements were written mainly in his Salzburg days. Violin Concerto No. 3 brings a transparent beauty, the sense of balance and the musical logic to the forefront rather than the mere splendid virtuosity.
Felix Mendelssohn Bartholdy(1809-1847), Symphony No. 3 in A minor, Op. 56, Scottish(1841~42)
Right after celebrating his twentieth birthday in February 1829, Mendelssohn embarked on a trip to Italy via England, France, and Switzerland with his friend. The initial conception for the ‘Scottish’ Symphony must have germinated from this trip even though all we have as evidence is merely a ten-bar sketch from during this trip. It was more than ten years later between 1840 and 1841 that his passion for this symphony was rekindled. The symphony was premiered in March 1842 by Leipzig Gewandhaus Orchestra conducted by the composer himself. Compared to the more classical ‘Italian’ Symphony, the ‘Scottish’ Symphony is leaning more toward program music, and all four movements are played without pause between movements, which makes this symphony closer to a symphonic poem.
Musical composition can have drastically disparate layers of emotional expression, and a funeral march is no exception as the slow movement from Mahler’s First Symphony is the epitome of this paradox. The renowned Mahler scholar Constantin Floros maintains that The Hunter’s Funeral, a woodprint by Moritz von Schwind, was Mahler’s inspiration for this unique movement. Shin’s namesake composition The Hunter’s Funeral also found its inspiration from von Schwind’s famous woodprint.
Wolfgang Amadeus Mozart(1756-1791), Violin Concerto No. 3 in G major, K. 216(1775)
Mozart was famous as a keyboard player, but he was also proficient in violin and viola, and especially in his Salzburg days (1773-1776) frequented stages as a concertmaster and violin soloist. His five violin concertos and four fragment movements were written mainly in his Salzburg days. Violin Concerto No. 3 brings a transparent beauty, the sense of balance and the musical logic to the forefront rather than the mere splendid virtuosity.
Felix Mendelssohn Bartholdy(1809-1847), Symphony No. 3 in A minor, Op. 56, Scottish(1841~42)
Right after celebrating his twentieth birthday in February 1829, Mendelssohn embarked on a trip to Italy via England, France, and Switzerland with his friend. The initial conception for the ‘Scottish’ Symphony must have germinated from this trip even though all we have as evidence is merely a ten-bar sketch from during this trip. It was more than ten years later between 1840 and 1841 that his passion for this symphony was rekindled. The symphony was premiered in March 1842 by Leipzig Gewandhaus Orchestra conducted by the composer himself. Compared to the more classical ‘Italian’ Symphony, the ‘Scottish’ Symphony is leaning more toward program music, and all four movements are played without pause between movements, which makes this symphony closer to a symphonic poem.