At Seoul Arts Center, the evening opened with the Chasse Royale et Orage (Royal Hunt and Storm) from Berlioz's opera Les Troyens, which functioned as a transient shift in atmosphere. The horn writing sketched the hunt with clipped focus, low strings and timpani adding pressure while keeping the texture breathable. Ludovic Morlot let the gusts surge and clear without theatrical underlining, the scene registering as pure orchestral motion – a squall that passed leaving no residue.

기사 원문 ▶ https://bachtrack.com/review-morlot-lugansky-chopin-schumann-seoul-philharmonic-february-2026